Won a Book: The Dangerous Duke by Christine Wells

Filed Under (Won) by Morbid Romantic on 30-01-2009
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I just won Christine Wells’s The Dangerous Duke from The Royal Reviews.

It’s a period romance. I love history and I am still in the midst of trying out the romance genre. According to reviews, it’s supposed to be quite the suspense novel with tons of the steamy stuff mixed in. We’ll see! I am still waiting for that one romance novel that will redeem the genre for me. Maybe this will be the one.

Won a Book: This One Is Mine by Maria Semple

Filed Under (Won) by Morbid Romantic on 30-01-2009
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I just won a book from Tara’s View on Books called This One Is Mine by Maria Semple.

It’s about a woman who doesn’t find the family lifestyle too appealing once she has hit the point of no return and ends up having an affair with a struggling musician. Also staring is her husband’s sister, who wants nothing more than to marry a rich man. It sounds superficial and selfish on the surface, which is what I think it’s all about. I don’t think we’re meant to look at these people in envy, but shake our heads at their antics and watch as whatever mess they make unfolds.

Will review!

In the mail today (01.29)

Filed Under (Life, YEY!) by Morbid Romantic on 29-01-2009
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I got a big delivery of books today. Tied up with a rubber band was three different wrapped packages, each one containing a book. This is what I got:

Can’t wait to read!

Made some RSS feeds

Filed Under (Websites) by Morbid Romantic on 29-01-2009
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Is the phrase ‘RSS feeds’ redundant? Like Bunny Rabbit or Kitty Cat?

Eh, whatever. I found a plugin today that allowed me to make feeds based on category. So, with the plugin activated, I was able to set up two new feeds apart from my blog feed. There is now one feed for Book Reviews and one feed for Blog Giveaways, in addition to my overall blog feed. So, if you’re only interested in the Book Giveaways or my Reviews, you can subscribe to those feeds and never have to read another one of my boring posts again!

Review: Medicus by Ruth Downie

Filed Under (Library, Review) by Morbid Romantic on 28-01-2009
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Author(s): Ruth Downie
Genre: Fiction – Historical
Tags: mystery, rome, roman empire, medicine, slavery, emperor, doctor, prostitution
Finished: January 28, 2009
Rating: 4.5 Stars

Medicus: A Novel of the Roman Empire by Ruth Downie is about a divorced and female-wary Roman doctor named Gaius Petreius Ruso who quite simply has terrible luck. First, he finds himself the owner of a very expensive and wounded female slave named Tilla who can’t cook or obey any orders. Second, a dead prostitute from a local bar that sells rancid oysters is found floating in a river and Ruso somehow finds himself in the middle of the investigation. And third- yes, there is also a third- Ruso’s family in Gaul is in serious debt with creditors breathing down the back of their necks. Ruso can’t seem to save let alone keep any money, is behind on the concise guide to medical care that he has been attempting to write for years, and the hospital administration in his miserable military outpost in Britannia is constantly on his back. There’s no hope of riches or promotion in his future. Or of having a decent hot meal.

To put it simply, I loved this book. From the moment I picked it up, I didn’t want to put it down. Though the mystery wasn’t so much a mystery by the middle of the novel (I guessed the culprit, though perhaps Downie intended for us to get hints along the way and work this out), I still found how it unfolded very riveting. Also, Downie inserts a lot of humor into the novel and you end up feeling both sorry and amused by Ruso both in the same breath. Ruso is a very likable character because he is neither too unfortunate nor too impressive, but still charming. In the end, Ruso comes out as an average man. Because Ruso is such an interesting and likable character, he sustained the story well enough for me when the plot waned.

What about historical accuracy? In the end notes, Downie herself admits that information about Roman Britain is hard to come by and scant. She also confesses that some of her information is made up or exaggerated to move the plot along. The few books that Downie listed as sources are secondary sources, which are always to be used critically since their information may not be correct or unbiased. A few primary sources would have made her history more credible, certainly. A lot of the speech and infrastructure in Medicus was inspired by modern practices—characters used words like ‘lad’ and ‘bloody’. Still, I was relieved that this book did not read like a textbook and that it did not focus around big names and big people. Yes, Julius Caesar marching on Rome was an amazing thing, but we should only have so many fiction books about it. It is nice to read about an average Roman.

It was refreshing that Downie allowed me to use my own knowledge of Rome to fill in the gaps and set the scene rather than laying it all out for me in a tedious, fact rich way. Like I said, Medicus did not read like a book of facts. In a way, it was taken for granted that the reader should know a little something about the Roman way of life. I may be better off than your average reader since I do know a lot about Rome to fill in blanks with. Yet, a non-scholar can still pick out a lot about Roman life such as that slaves were property and frequently abused, Romans wrote on wax covered pages with a stylus, Romans diluted their wine with water, etc. You won’t finish this book without some idea of how Romans lived.

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Review: The Midnight Meat Train

Filed Under (Horror Movies, Review) by Morbid Romantic on 27-01-2009
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Title: The Midnight Meat Train
Starring: Ted Raimi, Roger Bart, Peter Jacobson, Vinnie Jones
Studio: Lions Gate
DVD Release Date: February 17, 2009
Language: English
Rating: 3 Stars

The Midnight Meat Train is a story taken from Clive Barker’s Books of Blood series, directed by Ryuhei Kitamura who has done one of my favorite movies, Versus. I had been reading a lot about this movie in Fangoria as I anticipated its release, and reviews seemed to regard it favorably. After all, this is Kitamura meets Barker with buckets of blood and gore. Sure to be a success, right?

The plot? A photographer who feels he needs to develop a bit of edge in his art finds himself on the trail of a subway serial killer who works during the day in a meat factory. There are a few threads to the plot such as why is the killer murdering on the subway and will the photographer wind up dead as he trails this obviously dangerous man. As the film progresses, the subway train itself becomes a meat locker full of bodies like cattle to be sliced up.

The first thing I noticed when the movie began to play is the blueish tint to everything. The coloring made the train scenes seem stark and glowing but shadowy and dark at the same time. All but the blood plastered everywhere seemed to glow a blueish-gray. In fact, the coloring of the scenes seemed an important element in setting up the mood throughout the film. Some scenes were very red and brown while others were more blue and gray. The scenes on the subway train where the brutal serial murders takes place are shot in such a way that you, the viewer, feel closed in and claustrophobic. As the meat hammer wielding killer strikes down his victims as if he were a butcher in a meat factory, you feel as if you were right next to them with no escape. The setting is very effective and I have to praise Kitamura for his style and directing with this one.

If you don’t like bloody movies, this one isn’t for you. It’s very graphic and the red stuff just oozes and floods the scenes when the murders occur. The killer has a number of tools for his trade, but his favorite is a meat pounding mallet that smashes skulls. If you think the camera pulls away or shields the gore with a conveniently placed piece of hair, you’re wrong. Kitamura makes sure we see every bit of the gore. Eyeballs fly and skulls smash right before our eyes. I am not one for gore for the sake of gore alone, but that is not what these scenes were about. It was never mindless gore, but rather a story that started shocking and jarring and got steadily more suspenseful and scary.

The twist at the end? Well, I can’t say I was surprised. Barker IS the man who created the Cenobites. Still, I feel that the ending took away from the element of realism that had until that point characterized the film. Up until the ending was revealed, it almost seemed as if the subway could be plagued by a rogue train carrying a meat packing serial killer who strikes at night after work in a clever, clean suit. I’d say see the movie but maybe turn it off before the last 15 minutes. Unless you like weird monsters. If so, watch it all the way through! It’s worth it either way.